eul_wid: hps-ay
DOI 10.5281/zenodo.20335421 PDFMarkdown

Coneazomenae by Menander of Athens

Coneazomenae, meaning “Women at Breakfast,” is a lost comedy by the Athenian playwright Menander. Surviving only in fragments, with twenty-eight lines preserved through quotation by later ancient authors such as the lexicographer Pollux, the play belongs to the tradition of New Comedy. Its plot would have centred on the domestic and romantic intrigues of ordinary citizens, culminating in a happy resolution. The title suggests a scene involving women at a meal, a common setting for dialogue in Menander’s works. Probable themes, consistent with the playwright’s extant comedies, include love and romance, family and social relationships, misunderstandings and recognitions, and the roles and agency of women in Athenian society. While no papyrus fragments of the play have been identified among the papyrus discoveries of Menander’s texts, the extant lines are collected in modern editions. Although the specific influence of Coneazomenae is untraceable, Menander’s comic style, characterized by realistic portrayal of character and domestic situations, fundamentally shaped Western comedy through Roman adapters like Plautus and Terence, becoming a cornerstone of later comic theatre.

ΚΩΝΕΙΑΖΟΜΕΝΑΙ
Α ἆρʼ ἐστὶ τοῦτʼ ἐνύπνιον; Β εἰ καθεύδομεν.
… τάλαντα πένθʼ ἅμα
… κόσμον. Α οὐκ ἐγρήγορα.
Β … τοὺς γάμους γʼ ἤδη ποεῖ
… κροτών. Α τί λέγεις; Β κροτών· ἐγὼ
… δειλινὸν παρῆν. Α τί οὖν;
Β … καθήμενος λαλεῖ
Α … τίνι; Β Χαιρέαι. Α ποῦ; βούλομαι
… Β ἐγγύς τις ἐστὶν ἐξέδρα
… οἶσθα δήπου, δεξιᾶς·
… σιν. ? ὄψομʼ εἰσιών.
λελοιδόρημʼ ἄρʼ οὐ δικαίως τῆι Τύχηι·
ὡς γὰρ τυφλὴν αὐτὴν κακῶς εἴρηκά που,
νῦν δʼ ἐξέσωσέ μʼ ὡς ἔοιχʼ ὁρῶσά τι.
ἐπόνουν μὲν αὐτός, τοῖς πόνοις δʼ εἰργαζόμην
οὐδὲν πλέον· τούτων γὰρ οὐκ ἂν ἐπέτυχον,
εἰ μὴ συνέλαβεν. ὥστε μηδεὶς, πρὸς θεῶν,
πράττων κακῶς λίαν ἀθυμήσηι ποτέ·
ἴσως γὰρ ἀγαθοῦ τοῦτο πρόφασις γίνεται.