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Narratives-Hymns I and II Ancient Scholia
Διηγήσεις εἰς Ὕμνους Α' καὶ Β' Ἀρχαῖα Σχόλια

Callimachus Scholia Narratives Hymns I and II Ancient Scholia PDF

Overview

This work comprises ancient prose scholia, or explanatory notes, providing narrative summaries and commentary on the first two hymns (to Zeus and Apollo) of the Hellenistic poet Callimachus. Labeled "Ancient," these scholia represent a compilation of earlier Hellenistic and Roman scholarly exegesis, preserved within the medieval manuscript tradition. They function as a discrete commentary, offering glosses on mythological references, rare vocabulary, and historical context for the poetic text.

Content

The scholia address several key areas:

  • Exegesis of Myth: Explaining the mythological narratives and references within Callimachus's hymns.
  • Linguistic Commentary: Glossing difficult, archaic, or rare words used by the poet.
  • Literary and Historical Context: Providing background on cult practices, geographical locations, and historical figures.
  • Textual Criticism: Noting variant readings or discussing the integrity of the text.

Transmission

The scholia survive within medieval codices (13th–15th centuries CE) transmitting Callimachus's works. They are themselves compilations of earlier material, potentially incorporating notes from Hellenistic scholars like Theon, and their selective preservation depended on scribal choices during copying.

Significance

These ancient scholia are foundational for the modern interpretation of Callimachus's poetry. They preserve otherwise lost information about Alexandrian scholarship and are a primary source for understanding the ancient reception and scholarly study of his work, shaping all subsequent commentary.

Hymn1.col11.(8) ‘Ζηνὸς ἔοι τί κεν ἄλλο παρὰ σπονδῇσιν ἀείδειν‘ | Ἐνταῦθα Ἀρκάδες καὶ Κρῆτες ἀντιποι|οῦνται τῆς Διὸς γενέσεως ἑκάτεροι λέ|γοντες παρ’ αὐ̣τ̣ο̣ῖς γεγεννῆσθαι τὸν θε|όν (Κρῆτες δὲ καὶ τάφον αὐτοῦ ἐπ̣ιδει|κνύντες, το[ῦ]τό γε ψευδόμενοι), ἀφορ|μὴν τοιαύτην εἰληφότες· τῆς γὰρ Παρ|ρασίας μοίρας ἔν τινι ὄρει θαμνώδει ἀπο|τεκοῦσα Ῥέα τὸν Δία Νέδῃ μιᾷ τῶν | Ὠκεανίδων εἴσω τῆς Κρήτης φέρειν̣ | ἐνεχείρισεν, ὅπως κρύφα τρέφοιτο ἐ|κεῖσε.
Hymn2.col12 ‘Οἷον ὁ τὠπόλλωνος ἐσείσατο δάφνινος ὅρπηξ‘ | Προτερατευσάμενος ὡς ἐντεθεασμέ|νων καὶ τῶν ἀψύχων ἐπὶ παρουσί|ᾳ τοῦ Ἀπόλλωνος δαφνίνων τε | κλάδων σειομένων καὶ αὐτοῦ τοῦ | τεμένους, ἐπιλέγει̣ δεῖν χορεύειν | τοὺς παῖδας καὶ κιθαρίζειν, γεγαλη|νῶσθαι δὲ καὶ τὸ πέλαγος ἐφ’ ὕμνῳ | τοῦ θεοῦ καὶ τοὺς περιπαθεῖς ἀνέχειν | τοῦ θρηνεῖν. προσιστορεῖ δὲ καὶ τὸ πο|λύτεχνον τοῦ θεοῦ ὅτι καὶ τοξότης ἀ|γαθός ἐστι καὶ ἰατρὸς καὶ μάντις | καὶ ἐπόπτης τῆς τροφῆς τῶν θρεμ|μάτων, καὶ ὡς χαίρει πόλεων κτί|σεσιν οὐδ’ ἀρχιτεκτονίας ἀπολείπεται· | ἔτι δὲ τετραέτης ὢν ἐν τῇ Δήλῳ | βωμὸν ἐκ κεράτων κατεσκευάσατο. | καὶ εἰδὼς† ὅτι Κυρήνης τὴν κτίσιν | Βάττῳ τῷ Θηραίῳ διεσήμηνε, κόρα|κα παρασχόμενος ἡγεμόνα· ὡς πρῶ|τον μὲν ἐν Σπάρτῃ ἐτετίμητο, | δεύτερον δὲ ἐν Θήρᾳ, τρί|τον δὲ ἐν Κυρή̣ν̣ῃ̣ μ̣ε̣τὰ τὰς ἀποικία[ς . ] . | τον λέοντα ...... Βάττῳ ...... |μενον