eul_wid: hps-ag
DOI 10.5281/zenodo.20335421 PDFMarkdown

Fragments of Georgus Known Elsewhere by Menander of Athens

Georgos (The Farmer) is a comedy by the Athenian playwright Menander, believed to have been written around 316 BCE. As a work of New Comedy, it represents a shift from the political satire of earlier Athenian comedy toward narratives focused on domestic and romantic intrigues within private households. The plot likely centred on generational conflict between a traditional, rustic father and his son, with themes of love, marriage, and a probable discovery of a character's true identity providing the resolution typical of the genre. The extant fragments feature dialogue that critiques social attitudes toward poverty and justice, with one character advising another to endure wrongs with self-control rather than bitter anger, while another scene hints at a silent lover missing his chance at marriage.

The complete text of the play is lost. It is known today only through approximately twenty-four disconnected fragments of dialogue and monologue. These passages survive via quotations in the works of later ancient authors and fragments of papyrus discovered in Egypt. While they offer glimpses into Menander's characterizations and witty, sententious style, they are insufficient for a full reconstruction of the presumed five-act plot. The titular farmer is often read as an embodiment of traditional rustic values, with the comedy and dramatic tension arising from his conflicts with more modern or urban perspectives.

Despite its fragmentary state, Georgos, like Menander's other comedies, exercised considerable influence. The play's realistic character types and complex, plot-driven scenarios were extensively adapted by Roman comic playwrights, notably Plautus and Terence. Through these Latin adaptations, the conventions of Menandrean New Comedy fundamentally shaped the subsequent development of Western comic drama.

εὐκαταφρόνητόν ἐστι, Γοργία, πένης,
κἂν πάνυ λέγηι δίκαια· τούτου γὰρ λέγειν
ἕνεκα μόνου νομίζεθʼ οὗτος, τοῦ λαβεῖν,
καὶ συκοφάντης εὐθὺς ὁ τὸ τριβώνιον
ἔχων καλεῖται, κἂν ἀδικούμενος τύχηι.
ὁ δʼ ἠδικηκώς, ὅστις ἔσθʼ οὗτός ποτε,
τὴν ὑμετέραν πενίαν κακοδαίμων ἔσθʼ, ὅτι
τοῦτʼ ἠδίκηκεν οὗ τυχὸν μεταλήψεται·
εἰ καὶ σφόδρʼ εὐπορεῖ γάρ, ἀβεβαίως τρυφᾶι·
τὸ τῆς τύχης γὰρ ῥεῦμα μεταπίπτει ταχύ.
οὗτος κράτιστός ἐστʼ ἀνήρ, ὦ Γοργία,
ὅστις ἀδικεῖσθαι πλεῖστʼ ἐπίστατʼ ἐγκρατῶς·
τὸ δʼ ὀξύθυμον τοῦτο καὶ λίαν πικρὸν
δεῖγμʼ ἐστιν εὐθὺς πᾶσι μικροψυχίας.
ἐμβεβρόντησαι; γελοῖον, ὃς κόρης ἐλευθέρας
εἰς ἔρωθʼ ἥκων σιωπᾶις καὶ μάτην ποιουμένους
περιορᾶις γάμους σεαυτῶι.
εἰμὶ μὲν ἄγροικος, καὐτὸς οὐκ ἄλλως ἐρῶ,
καὶ τῶν κατʼ ἄστυ πραγμάτων οὐ παντελῶς
ἔμπειρος, ὁ δὲ χρόνος τί μʼ εἰδέναι ποεῖ
πλέον.
ὡς σχολῆι πορεύεθʼ οὑτοσί.
ἐν πράγμασιν, ἐν μάχαις.