The Paeans are a collection of choral hymns by the 5th-century BCE Greek poet Bacchylides, composed for public performance at religious festivals. Primarily addressed to Apollo, these works blend divine praise with mythological narrative and prayers for divine favour. The extant corpus survives only in fragments, preserved in twenty passages recovered from a single papyrus discovered in Egypt in 1896. Written in a literary Doric dialect intermixed with other Greek linguistic elements, their typical structure comprises an invocation, a central narrative section, and a concluding prayer. Scholars interpret the hymns as serving a dual function: honoring the gods while simultaneously celebrating the civic pride or military accomplishments of the commissioning communities. One substantial fragment, for instance, is believed to commemorate an Athenian cavalry victory, possibly associated with the Battle of Marathon. The survival of these texts is owed entirely to the papyrus discovery, as the works were lost after antiquity and do not belong to a continuous manuscript tradition. Their rediscovery has provided significant insight into the performance culture and religious poetry of classical Greece.
ΑΠΟΛΛΩΝΙ ΠΥΘΑΙΕΙ ΕΙΣ ΑΣΙΝΗΝ
…
στᾶ δʼ ἐπὶ λάϊνον οὐδόν,
τοὶ δὲ θοίνας ἔντυον, ὧδέ τʼ ἔφα·
«Αὐτόματοι δʼ ἀγαθῶν ἐς
δαῖτας εὐόχθους ἐπέρχονται δίκαιοι
φῶτες.» …
…
… τα Πυθω …
… ει τελευτ …
… κέλευσεν Φοῖβος Ἀλ-
κμήνας πολεμαίνετον υἱ-
ὸν ἐκ ναοῦ τε καὶ παρ …
Ἀλλʼ ὅ γε τᾷδʼ ἐνὶ χώρᾳ
… χισεν ταν φυλλο …
στρέψας ἐλαίας
… φʼ Ἀσινεῖς …
… λε … ʼ· ἐν δὲ χρόνῳ
… ες ἐξ Ἁλικῶν τε …
μάντις ἐξ Ἄργευς Μελάμπους
ἦλθʼ Ἀμυθαονίδας βω-
μόν τε Πυθαιεῖ κτίσε …
καὶ τέμενος ζάθεον κεί-
νας ἀπὸ ῥίζας. Τὸ δὲ χρ …
ἐξόχως τίμασʼ Ἀπόλλων
ἄλσος, ἵνʼ ἀγλαΐαι τʼ ἀν-
θεῦσι καὶ μολπαὶ λίγειαι
… ονες, ὦ ἄνα, τ …
… τι, σὺ δʼ ὀλβ
… αιοισιν …
τίκτει δέ τε θνατοῖσιν εἰ-
ρήνα μεγαλάνορα πλοῦ-
τον καὶ μελιγλώσσων ἀοιδᾶν ἄνθεα
δαιδαλέων τʼ ἐπὶ βωμῶν
θεοῖσιν αἴθεσθαι βοῶν ξανθᾷ φλογί
μηρίʼ εὐμάλλων τε μήλων
γυμνασίων τε νέοις αὐ-
λῶν τε καὶ κώμων μέλειν.
Ἐν δὲ σιδαροδέτοις πόρπαξιν αἰθᾶν
ἀραχνᾶν ἱστοὶ πέλονται,
ἔγχεα τε λογχωτὰ ξίφεα
τʼ ἀμφάκεα δάμναται εὐ-
ρώς.
χαλκεᾶν δʼ οὐκ ἔστι σαλπίγγων κτύπος,
οὐδὲ συλᾶται μελίφρων
ὕπνος ἀπὸ βλεφάρων ἀ-
ῷος ὃς θάλπει κέαρ.
Συμποσίων δʼ ἐρατῶν βρίθοντʼ ἀγυιαί,
παιδικοί θʼ ὕμνοι φλέγονται.
…
Ἕτερος ἐξ ἑτέρου σοφὸς
τό τε πάλαι τό τε νῦν. Οὐδὲ γὰρ ῥᾷστον
ἀρρήτων ἐπέων πύλας
ἐξευρεῖν
Ἄρκτου παρούσης ἴχνη μὴ ζήτει.