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To the Initial Discharges
Πρὸς τὰς ἀρχομένας ὑποχύσεις

Aglaias of Byzantium To the Initial Discharges PDF

To the Initial Discharges is a poetic work attributed to Aglaias of Byzantium. The precise meaning of its title remains obscure, with the Greek terms suggesting a reference to initial outpourings or emissions. The poem is structured in three passages and presents itself as a didactic verse concerning medicinal recipes. The speaker addresses a fellow healer and poet, presenting the work as a gift discovered through his own diligent effort, claiming it will be a distinguished remedy for afflictions and a lasting benefit. The bulk of the text consists of detailed pharmaceutical instructions, specifying ingredients, their measures, and methods of combination. These ingredients include various minerals, botanicals, and other compounds, such as a five-obol weight of copper bloom, a round object baked with fire, and substances associated with Gallic lands, yellow-flowered plants, and mares. The poem meticulously notes weights in obols, drachmas, and staters, prescribing the mixture of these elements with thirty-two drachmas of a salt drawn from a spring. The work's survival status is unknown, as it is not attested in major digital or print repositories of classical texts, and its provenance remains unclear. Its complete absence from standard reference works and philological collections renders it an obscure entry in the corpus of Greek poetry, and its historical and literary significance cannot be assessed.

unit_1 Ἀγλαΐας τόδε σοι Βυζάντιος ἐσθλὸν ἰάλλω [para]Ἰητὴρ ἑτάρῳ δῶρον ἀοιδοπόλῳ, Ὀφθαλμῶν μὲν ἄκος, Δημήτερα (?) τῶν ὑποχεῖσθαι [para]Ἀρχομένων, ὑπ’ ἐμῆς δ’ εὑρεθὲν εὐμογίης. Καί σοι δ’ ἔξοχον ἔσται ἐς ἄχθεα, παντί τ’ ὄνειαρ [para]Παρμόνιμον, κάμψῃς ἄχρι κεν ἐς πλέονας. Ὅσσα δ’ ἔχει θρόνα λέξαι ἔοικε μοι, ὡς ἐπαρήγειν [para]Οἷς ἄν τι σθεναρὴ σύνθεσις ἥδε πέλει. Ἄνθους μὲν χαλκοῦ πεντώβολον, ἰσοβαρὲς δὲ Τοῦ συοδηλήτου τὴν ἀρετὴν γενέτιν· Καὶ μεῖον τούτων ὀβολῷ στρόγγυλμα πυραιθὲς [para]Πρόσθες, ὃ Γαλλαϊκοῖς (?) ἀλδαίνετ’ ἐν δαπέδοις· Καὶ δύο διδράχμω, τὸ μὲν ἐκ ξανθότριχος ἄνθους, [para]Ἔνυμα * δ’ ἐκ μηδέων θάτερον ἱπποδάμου·
unit_2 Ἡμίσταθμον, ὃ τοῦ πατρὸς ψευδώνυμος, ἔστω [para]Ὃς γῆμαι δμωῆς υἱέϊ δῶκε κόρην· Στῆσον δ’ αὖ ἀλόϊον ἓν ἥμισυ τοῦ προτέροιο [para]Ἄχθος· ἄγε στάχυος Σινδογενοῦς ὀβολόν· Διστάσιος δ’ αὐτῷ πελέτω λίθος εἰαριήτης· Διστάσιον δ’ ἀφροῦ θρύμμα φακουσιακοῦ· Σὺν δὲ τριάκοντα δραχμαῖς ἔτι καὶ δύο μίσγε [para]Ὁλκὰς ἐξ ἄνθους ναμασιπηγὸς ἁλός· Καὶ Ζακορίσου * Μούσαις ἰσάριθμον ὄπισμα [para]Δραχμόθεν ἔστω σοι συγκατακιρνάμενον Τετραμόρῳ κοτύλης, ὃ τιτύσκεται οὐ διὰ χειρῶν [para]Ἐν δαπεδοῖς * Βάκτης, ἀλλὰ διὰ στομάτων. Λεῖα δὲ πάντα καθ’ ἓν τρίψας ἀνάμισγε σὺν ὑγροῖς,
unit_3 Τημελέως τ’ ἀπόθου τεῦχος ἐς ἀργύρεον.