eul_wid: bhm-af
DOI 10.5281/zenodo.20335421 PDFMarkdown

Fragments of Comic Wisdom by Epicharmus of Syracuse

The Fragments of Comic Wisdom is a modern title for a collection of excerpts from the lost comedies of Epicharmus of Syracuse, an early Greek comic playwright active in the late sixth and early fifth centuries BCE. As no complete play by Epicharmus survives, our knowledge of his work depends entirely on quotations preserved by later authors. This particular designation groups those fragments that exhibit a pronounced philosophical or gnomic character, offering pithy advice and parodying intellectual discourse. The original works from which these fragments derive were performed in the thriving cultural centre of Syracuse and covered a wide range of subjects.

The content of these fragments reveals a playwright engaged with the intellectual currents of his time through the medium of comedy. They include philosophical parody and debate on fundamental topics such as the nature of reality, the divine, and ethics, often delivered through the interactions of stock comic characters. Alongside this, the fragments are rich in moralizing, proverbial advice concerning practical life and behaviour. Epicharmus also employed burlesque treatments of myth and the gods, while his comedies simultaneously featured vivid depictions of everyday Sicilian life. The transmission of this material is entirely indirect, relying on citations by later philosophers and compilers including Plato, Aristotle, and Athenaeus; there exists no continuous manuscript tradition for his plays. Modern authoritative collections, such as Greek Comic Poets, systematically compile these scattered excerpts.

The significance of Epicharmus in the history of Western drama is considerable. Ancient authorities regarded him as a foundational figure: Plato referred to him as "the prince of comedy," and Aristotle credited him with the invention of comic plot structure. The philosophical tenor of much of his surviving work led both ancient and later readers to view him not merely as an entertainer but as a forerunner to more formal philosophical thought, blending popular wisdom with comic invention. His influence helped shape the development of comedy as a literary genre.

καδδαιμονέστερος
τεῖδʼ ἔνεστι πολλὰ καὶ παντοῖα, τοῖς χρήσαιό κα
ποτὶ φίλον, πὸτ ἐχθρὸν ἐν δίκαι λέγων, ἐν ἁλίαι,
ποτὶ πονηρόν, ποτὶ καλόν τε κἀγαθόν, ποτὶ ξένον,
ποτὶ δύσηριν, ποτὶ πάροινον, ποτὶ βάναυσον, εἴτε τις
ἄλλʼ ἔχει κακόν τι, καὶ τούτοισι κέντρα τεῖδʼ ἐνό.
ἐν δὲ καὶ γνῶμαι σοφαὶ τεῖδʼ αἷσιν εἰ πείθοιτό τις,
δεξιώτερός τέ κʼ εἴη βελτίων τʼ ἐς πάντʼ ἀνήρ.
κοὔ τι πολλὰ δεῖ λέγειν, ἀλλʼ ἓμ μόνον τούτων ἔπος
ποττὸ πρᾶγμα ποτιφέροντα τῶνδʼ ἀεὶ τὸ συμφέρον,
αἰτίαν γὰρ ἦχον ὡς ἄλλως μὲν εἴην δεξιός,
μακρολόγος δʼ, οὔ κα δυναίμαν ἐμ βραχεῖ γνώμας λέγειν·
ταῦτα δὴ ʼγὼν εἰσακούσας συντίθημι τὰν τέχναν
τάνδʼ, ὅπως εἴπηι τις· «Ἐπίχαρμος σοφός τις ἐγένετο
πόλλʼ ὃς εἶπʼ ἀστεῖα καὶ παντοῖα καθʼ ἓν ἔπος λέγων
πεῖραν αὐταύτου διδοὺς ὡς καὶ βραχ
… ε μαθὼν ἅπας ἀνὴρ φαν
… ησει ποτʼ οὐδένʼ ἔπος ἀπ
… οντα λυπήσει τι τῶνδ
… τρ … α δρῶντα τοῖσδ
… ορητε πολυμαθη
… ων … ρτ … ἐρῶ δὲ καὶ τ
… ιτε τούτοις γα κακὰ … χειν
ἄλλος ἄλλωι γὰρ γέγηθε κοὔ τι ταυτ
… ε πάντα δεῖ τάδʼ ὡς ε
… ἔπειτα δʼ ἐν καιρῶι λεγ
… ειμα βραχὺς οι
. . . . . . . . . . . .
Ἐπιχάρμου.
τοὺς τρόπους χείρω γυναῖκα φάμʼ ἐγὼ τῶν θηρίων
εἶμεν. ὅστις γὰρ λέοντι σῖτον ἢ πότον φέρει
ἢ κυσὶν Μολοσσικοῖσιν ἢ …
θῆρες αἰκάλλοντι τοῖσιν εὖ ποιεῦσιν εὐμενεῖς,
ἁ γυνὰ δὲ τὸν τρέφοντα πρῶτον εἴθισται δακεῖν.
τὸ δὲ γαμεῖν ὅμοιόν ἐστι τῷ τρὶς ἓξ ἢ τρεῖς μόνους
ἀπὸ τύχης βαλεῖν· ἐὰν μὲν γὰρ λάβῃς τεταγμένην
τοῖς τρόποις καὶ τἄλλʼ ἄλυπον, εὐτυχήσεις τῷ γάμῳ·
εἰ δὲ καὶ φιλέξοδόν τε καὶ λάλον καὶ δαφιλῆ,
οὐ γυναῖχʼ ἕξεις, διὰ βίου δʼ ἀτυχίαν κοσμουμέναν.
ποτεκλεπτόμαν
ἁ κίσσα τὰν Σειρῆνα μιμουμένα,