The Fragments of Comic Wisdom is a modern scholarly title for a collection of excerpts from the lost comedies of Epicharmus of Syracuse, an early Greek comic playwright active in the late sixth and early fifth centuries BCE. As no complete play by Epicharmus survives, our knowledge of his work depends entirely on quotations preserved by later authors. This particular designation groups those fragments that exhibit a pronounced philosophical or gnomic character, offering pithy advice and parodying intellectual discourse. The original works from which these fragments derive were performed in the thriving cultural center of Syracuse and covered a wide range of subjects.
The content of these fragments reveals a playwright engaged with the intellectual currents of his time through the medium of comedy. They include philosophical parody and debate on fundamental topics such as the nature of reality, the divine, and ethics, often delivered through the interactions of stock comic characters. Alongside this, the fragments are rich in moralizing, proverbial advice concerning practical life and behavior. Epicharmus also employed burlesque treatments of myth and the gods, while his comedies simultaneously featured vivid depictions of everyday Sicilian life. The transmission of this material is entirely indirect, relying on citations by later philosophers and compilers including Plato, Aristotle, and Athenaeus; there exists no continuous manuscript tradition for his plays. Modern authoritative collections, such as Poetae Comici Graeci, systematically compile these scattered excerpts.
The significance of Epicharmus in the history of Western drama is considerable. Ancient authorities regarded him as a foundational figure: Plato referred to him as "the prince of comedy," and Aristotle credited him with the invention of comic plot structure. The philosophical tenor of much of his surviving work led both ancient and later readers to view him not merely as an entertainer but as a forerunner to more formal philosophical thought, blending popular wisdom with comic invention. His influence helped shape the development of comedy as a literary genre.
Epicharmus of Syracuse Fragments of Comic Wisdom in Greek in PDF
Epicharmus of Syracuse Fragments of Comic Wisdom in Greek in MD
| 1 | καδδαιμονέστερος |
| 2 | τεῖδ’ ἔνεστι πολλὰ καὶ παν[τ]οῖα, τοῖς χρήσαιό κα ποτὶ φίλον, πὸτ ἐχθρὸν ἐν δίκαι λέγων, ἐν ἁλίαι, ποτὶ πονηρόν, ποτὶ καλόν τε κἀγαθόν, ποτὶ ξένον, ποτὶ δύσηριν, ποτὶ πάροινον, ποτὶ βάναυσον, εἴτε τις ἄλλ’ ἔχει κακόν τι, καὶ τούτοισι κέντρα τεῖδ’ ἐνό. ἐν δὲ καὶ γνῶμαι σοφαὶ τεῖδ’ αἷσιν ε[ἰ] πείθοιτό τις, δεξιώτερός τέ κ’ εἴη βελτίων τ’ ἐς πά[ν]τ’ ἀνήρ. κο]ὔ τι πολλὰ δεῖ λέγ[ε]ιν, ἀλλ’ ἓμ μόνον [τ]ούτων ἔπος ποττὸ πρᾶγμα ποτιφέροντα τῶνδ’ ἀε[ὶ] τὸ συμφέρον, αἰτίαν γὰρ ἦχον ὡς ἄλλως μὲν εἴην [δ]εξιός, μακρολόγος δ’, οὔ κα δυναίμαν ἐμ β[ρ]αχεῖ γνώμα[c λέγ]ειν· ταῦτα δὴ ’γὼν εἰσακούσας συντίθημι τὰν τέχναν τάνδ’, ὅ[π]ως εἴπηι τι〈c〉· ‚Ἐπίχαρμος σοφός τις ἐγένετο [πόλλ’ ὃς εἶ]π’ ἀστεῖα καὶ παντοῖα καθ’ ἓν [ἔπος] λέγων [πεῖραν] αὐταύτου διδοὺς ὡς καὶ β[ραχ [ ..... ]ε μαθὼν ἅπας ἀνὴρ φαν[ [ ..... ] . ησει ποτ’ οὐδέν’ ἔπος ἀπ[ [ ...... ]οντα λυπήσει τι τῶνδ[ [ ...... ]τρ[ .. ]α δρῶντα τοῖσδ[ [ ...... ]ορητε πολυμαθη [ [ ...... ]ων[ .. ]ρτ[ .. ] ἐρῶ δὲ καὶ τ[ [ ...... ]ιτε τούτο ις γα κακὰ [ ... ]χειν [ [ἄλλος ἄ]λλωι γὰρ [γ]έγηθε κοὔ τι ταυ[τ [ ...... ]ε πάντα δεῖ τάδ’ ὡς ε[ [ ...... ἔ]πειτα δ’ ἐν καιρῶι λε[γ [ ......... ]ειμα βραχὺς οι[ . . . . . . . . . . . . |
| 3 (n) | Ἐπ]ιχάρμο[υ]. [τοὺς τρόπους χείρω γυναῖ]κα φάμ’ ἐγὼ τῶν θηρ[ίων] [εἶμεν. ὅστις γ]ὰρ λέοντι σῖτον ἢ πότον [φέρει] ἢ κυσὶν Μολοσσικοῖς[ιν ἢ ... ,〉 [θῆρε]c αἰκάλλοντι το[ῖ]σι[ν εὖ ποιεῦσιν εὐμενεῖς], ἁ [γ]υνὰ δὲ τὸν τρέφοντα [πρῶτον εἴθισται δακεῖν]. |
| 4 | τὸ δὲ γαμεῖν ὅμοιόν ἐστι τῷ τρὶς ἓξ ἢ τρεῖς μόνους ἀπὸ τύχης βαλεῖν· ἐὰν μὲν γὰρ λάβῃς τεταγμένην τοῖς τρόποις καὶ τἄλλ’ ἄλυπον, εὐτυχήσεις τῷ γάμῳ· εἰ δὲ καὶ φιλέξοδόν τε καὶ λάλον καὶ δαφιλῆ, οὐ γυναῖχ’ ἕξεις, διὰ βίου δ’ ἀτυχίαν κοσμουμέναν. |
| 5 | ποτεκλεπτόμαν |
| 6 | ἁ κίσσα τὰν Σειρῆνα μιμουμέν α , |