eul_wid: ebk-aa
DOI 10.5281/zenodo.20335421 PDFMarkdown

Fragments of a Comic Feast by Archippus the Comic Poet

"Fragments of a Comic Feast" is the conventional modern title for the scant remains of a lost Athenian comedy by the playwright Archippus, who was active in the late 5th century BCE. The original title of the work is unknown. As a play of Old Comedy, it would have been performed at an Athenian festival and featured the genre's characteristic blend of political satire, mythological parody, and scenes from contemporary life. The modern title, derived from the content of the surviving lines, suggests the plot likely revolved around a humorous banquet scene, a common setting for exploring themes of gluttony, social behaviour, and excess. The work is known only through 83 fragmentary passages, often comprising just single lines, which were quoted by later Greek authors and grammarians primarily for their unusual vocabulary or references to food and customs rather than for their narrative content. Written in Attic Greek verse, these fragments depict a lavish and absurd feast, mentioning items such as snouts, wine cups, tables laden with delicacies, and a wide array of seafood and meats. The dialogue includes comic exchanges about fish serving as oracles and references to a herald and a priest, elements typical of the genre's satirical and fantastical style. These fragments suggest that the play satirized culinary luxury and contemporary Athenian society, consistent with the sharp, personal comedy of the Peloponnesian War era. The complete play has not survived, and our understanding of it depends entirely on these later, decontextualized quotations.

ΑΜΦΙΤΡΥΩΝ
καὶ ταῦτʼ ἔχων τὸ ῥύγχος οὑτωσὶ μακρόν
τίς ἐκέρασε σφῷν, ὦ κακόδαιμον, ἴσον ἴσῳ;
ἀναλέγειν
ἀσκοθύλακον
ἐπενώτισεν
ὦ κύων
τὸ σκύφος
ΗΡΑΚΛΗΣ ΓΑΜΩΝ
ἀνδρῶν ἄριστος καὶ μάλιστʼ ἐμοὶ ξένος,
ἀτὰρ παρʼ ἐμοί γʼ ὢν εἶχεν οὐδὲ σύμβολον.
τράπεζα δʼ ἰτρίοισιν ἐπιφορήμασίν τʼ
ἄλλοις γέμουσα
τὸ πῦρ πολὺ λίαν· ὕπαγε τὰς ἀκροβελίδας.
ταδὶ δʼ ἅμα χοίρων ἀκροκώλια μικρῶν,
ταύρου τʼ αὐξίκερω φλογίδες,
αἱ δολιχαί τε κάπρου σχελίδες.
νήστεις, κεστρέας, κεφάλους
ἁλία πυξίνη
ΙΧΘΥΕΣ
αἱρουμένους τε πραγμάτων ἐπιστάτας
ἀποδοκιμάζειν, πάλιν.
ἢν οὖν ποιῶμεν ταῦτα, κίνδυνος λαθεῖν
ἁπαξάπαντας γενομένους παλιναιρέτους.
Α. τί λέγεις σύ; μάντεις εἰσὶ γὰρ θαλάττιοι;
Β. γαλεοί γε πάντων μάντεων σοφώτατοι.
καὶ τὴν μὲν ἀφύην καταπέπωκεν ἐντυχὼν
ἑψητός.
ἱερεὺς γὰρ ἦλθʼ αὐτοῖσιν ὀρφὼς τοῦ θεοῦ.
ἱερεὺς Ἀφροδίτης χρύσοφρυς Κυθηρίας.
ἐκήρυξεν βόαξ,
σάλπης δʼ ἐσάλπιγξʼ ἕπτʼ ὀβολοὺς μισθὸν φέρων.
κύαθον ἐπριάμην παρὰ Δαισίου.
τὴν ἀγορὰν μυληκόρῳ
κῆρυξ θαλάττης τρόφιμος υἱὸς πορφυρᾶς. …
λεπάσιν, ἐχίνοις, ἐσχάραις, βελόναις τε τοῖς κτεσίν τε.
Αἰγύπτιος μιαρώτατος τῶν ἰχθύων κάπηλος,
Ἕρμαιος, ὃς βίᾳ δέρων ῥίνας γαλεούς τε πωλεῖ
καὶ τοὺς λάβρακας ἐντερεύων, ὡς λέγουσιν ἡμῖν.
τοὺς μαιώτας καὶ σαπέρδας καὶ γλάνιδας
ἀποδοῦναι δʼ ὅσα ἔχομεν ἀλλήλων, ἡμᾶς μὲν τὰς Θρᾴτ-
τας καὶ τὴν Ἀθερίνην αὐλητρίδα καὶ Σηπίαν τὴν Θύρσου
καὶ τοὺς Τριγλίας καὶ Εὐκλείδην τὸν ἄρξαντα καὶ Ἀνα-
γυρουντόθεν τοὺς Κορακίωνας καὶ Κωβιοῦ τοῦ Σαλαμινίου
τόκον καὶ Βάτραχον τὸν πάρεδρον τὸν ἐξ Ὠρεοῦ.
ἄνδρες ἰχθύες
τὴν ἀρτόπωλιν, τὴν παντοπωλίαν
νακοτιλτοῦντας
ΟΝΟΥ ΣΚΙΑ
τροχιλίαισι ταῦτα καὶ τοπείοις
ἱστᾶσιν οὐκ ἄνευ πόνου.
ὀμώμοκα
ΠΛΟΥΤΟΣ
Α. οἴμοι. Β. τί ἔστι; ... μῶν ἔδακέ τί σε;
Α. ἔδακε; κατὰ μὲν οὖν ἔφαγε κἀπέβρυξέ τις.
Β. τίς ἡ πανουργία τε καὶ θεοσεχθρία;
ἔστιν δέ μοι πρόφασις καλῶς εὑρημένη·
τὸν γὰρ γέροντα διαβαλοῦμαι τήμερον.
νῦν ὡς ἐγενόμην χρημάτων ἐπήβολος
ῥαφίδα καὶ
λίνον λαβὼν τὸ ῥῆγμα σύρραψον τόδε.
πλατυπόρφυρα ἱμάτια
ΡΙΝΩΝ
ἀθῷος ἀποδοὺς θοἰμάτιον ἀπέρχεται
στέφανον ἔχων τῶν ἐκκυλίστων οἴκαδε.
προχῶναι
ξυρόν
ΑΔΗΛΩΝ ΔΡΑΜΑΤΩΝ
ὡς ἡδὺ τὴν θάλατταν ἀπὸ τῆς γῆς ὁρᾶν
ὦ μῆτέρ ἐστι μὴ πλέοντα μηδαμοῦ.
σκαφεῦσι κηπωροῖσι τοῖς τʼ ὀνηλάταις,
καὶ ταῖς γυναιξὶ προσέτι ταῖς ποαστρίαις
ἀμαθὴς σοφός, δίκαιος ἄδικος
φέρε καθίζωμʼ ἐνθαδί.
ἐωθώς
ἰσόχρυσον
ξύστρα
τῆς παιδοτριβίας
σιλλοῦν
Σκιάποδες
συμπατριώτης