eul_wid: beu-aa
DOI 10.5281/zenodo.20335421 PDFMarkdown

Fragments of the Silloi and On Physis by Xenophanes of Colophon

The surviving work of Xenophanes of Colophon consists of poetic fragments, traditionally categorized as the Silloi (Lampoons) and poems On Nature. Composed in epic verse during the Archaic period, these fragments represent a critical transition from mythological to philosophical thought. The Silloi are satirical critiques directed at the anthropomorphic deities of Homeric and Hesiodic tradition, mocking the attribution of human vices—theft, adultery, and deceit—to the gods. Xenophanes further ridicules the tendency of different peoples to fashion gods in their own image, noting that Ethiopians depict them as snub-nosed and black, while Thracians imagine them as blue-eyed and red-haired.

In contrast, the fragments On Nature present early cosmological and theological speculations. Xenophanes argues for a single, supreme deity, unlike mortals in body or mind, who governs all things without movement through the power of thought alone. This god is eternal, unified, and utterly dissimilar to the flawed pantheon of poetry. The fragments also offer naturalistic explanations for celestial and meteorological phenomena, suggesting, for instance, that the sun is a new formation each day and that rainbows are clouds colored in a certain way. Xenophanes further posits a cyclical theory of earthly change, proposing that all things originate from a mixture of earth and water and that humanity periodically faces destruction and regeneration.

Preserved not as a continuous text but through approximately fifty-six quotations by later doxographers and philosophers such as Sextus Empiricus and Simplicius, these fragments reflect the output of a traveling poet-philosopher who recited for educated audiences in the Greek colonies of Sicily and southern Italy. His work challenges the epistemological authority of traditional poets, suggesting that truth is not revealed by the gods but discovered gradually through human inquiry. Xenophanes’s critique of anthropomorphism, his formulation of a non-corporeal supreme god, and his skeptical stance toward human knowledge established foundational ideas that would profoundly influence the Eleatic school of philosophy and later theological and epistemological thought.

ΣΙΛΛΩΝ ΒΙΒΛΙΑ Ε
ἐξ ἀρχῆς καθʼ Ὅμηρον, ἐπεὶ μεμαθήκασι πάντες ...
πάντα θεοῖσʼ ἀνέθηκαν Ὅμηρός θʼ Ἡσίοδός τε,
ὅσσα παρʼ ἀνθρώποισιν ὀνείδεα καὶ ψόγος ἐστίν,
κλέπτειν μοιχεύειν τε καὶ ἀλλήλους ἀπατεύειν.
ὡς πλεῖστʼ ἐφθέγξαντο θεῶν ἀθεμίστια ἔργα,
κλέπτειν μοιχεύειν τε καὶ ἀλλήλους ἀπατεύειν.
ἀλλʼ εἰ χεῖρας ἔχον βόες ἵπποι τʼ ἠὲ λέοντες
ἢ γράψαι χείρεσσι καὶ ἔργα τελεῖν ἅπερ ἄνδρες,
ἵπποι μέν θʼ ἵπποισι, βόες δέ τε βουσὶν ὁμοίας
καί κε θεῶν ἰδέας ἔγραφον καὶ σώματʼ ἐποίουν
τοιαῦθʼ, οἷόν περ καὐτοὶ δέμας εἶχον ἕκαστοι.
Αἰθίοπές τε θεοὺς σφετέρους σιμοὺς μέλανάς τε
Θρῆικές τε γλαυκοὺς καὶ πυρρούς φασι πέλεσθαι.
ἑστᾶσιν δʼ ἐλάτης βάκχοι πυκινὸν περὶ δῶμα.
οὔ τοι ἀπʼ ἀρχῆς πάντα θεοὶ θνητοῖσʼ ὑπέδειξαν,
ἀλλὰ χρόνωι ζητοῦντες ἐφευρίσκουσιν ἄμεινον.
καί κʼ ἐπιθυμήσειε νέος νῆς ἀμφιπόλοιο.
πὰρ πυρὶ χρὴ τοιαῦτα λέγειν χειμῶνος ἐν ὥρηι
ἐν κλίνηι μαλακῆι κατακείμενον, ἔμπλεον ὄντα,
πίνοντα γλυκὺν οἶνον, ὑποτρώγοντʼ ἐρεβίνθους·
«τίς πόθεν εἷς ἀνδρῶν; πόσα τοι ἔτεʼ ἐστί, φέριστε;
πηλίκος ἦσθʼ, ὅθʼ ὁ Μῆδος ἀφίκετο;»
ΕΠΗ
ΠΕΡΙ ΦΥΣΙΟΣ
εἷς θεὸς ἔν τε θεοῖσι καὶ ἀνθρώποισι μέγιστος,
οὔ τι δέμας θνητοῖσιν ὁμοίιος οὐδὲ νόημα.
οὖλος ὁρᾶι, οὖλος δὲ νοεῖ, οὖλος δέ τʼ ἀκούει.
ἀλλʼ ἀπάνευθε πόνοιο νόου φρενὶ πάντα κραδαίνει.
αἰεὶ δʼ ἐν ταὐτῶι μίμνει κινεύμενος οὐδέν,
οὐδὲ μετέρχεσθαί μιν ἐπιπρέπει ἄλλοτε ἄλληι.
ἐκ γαίης γὰρ πάντα καὶ εἰς γῆν πάντα τελευτᾶι.
γαίης μὲν τόδε πεῖρας ἄνω παρὰ ποσσὶν ὁρᾶται
ἠέρι προσπλάζον, τὸ κάτω δʼ ἐς ἄπειρον ἱκνεῖται.
γῆ καὶ ὕδωρ πάντʼ ἔσθʼ ὅσα γίνονται ἠδὲ φύονται.
πηγὴ δʼ ἐστὶ θάλασσʼ ὕδατος, πηγὴ δʼ ἀνέμοιο·
οὔτε γὰρ ἐν νέφεσιν πνοιαί κʼ ἀνέμοιο φύοιντο
ὀμβροφυέσσιν ἔσωθεν ἄνευ πόντου μεγάλοιο
οὔτε ῥοαὶ ποταμῶν οὔτʼ αἰθέρος ὄμβριον ὕδωρ,
ἀλλὰ μέγας πόντος γενέτωρ νεφέων ἀνέμων τε
καὶ ποταμῶν.
ἠέλιός θʼ ὑπεριέμενος γαῖάν τʼ ἐπιθάλπων.
ἥν τʼ Ἶριν καλέουσι, νέφος καὶ τοῦτο πέφυκε,
πορφύρεον καὶ φοινίκεον καὶ χλωρὸν ἰδέσθαι.
πάντες γὰρ γαίης τε καὶ ὕδατος ἐκγενόμεσθα.
καὶ τὸ μὲν οὖν σαφὲς οὔ τις ἀνὴρ ἴδεν οὐδέ τις ἔσται
εἰδὼς ἀμφὶ θεῶν τε καὶ ἅσσα λέγω περὶ πάντων·
εἰ γὰρ καὶ τὰ μάλιστα τύχοι τετελεσμένον εἰπών,
αὐτὸς ὅμως οὐκ οἶδε· δόκος δʼ ἐπὶ πᾶσι τέτυκται.
ταῦτα δεδοξάσθω μὲν ἐοικότα τοῖς ἐτύμοισι.
ὁππόσα δὴ θνητοῖσι πεφήνασιν εἰσοράασθαι,
καὶ μὲν ἐνὶ σπεάτεσσί τεοις καταλείβεται ὕδωρ.
εἰ μὴ χλωρὸν ἔφυσε θεὸς μέλι, πολλὸν ἔφασκον
γλύσσονα σῦκα πέλεσθαι.