eul_wid: evu-ab
DOI 10.5281/zenodo.20335421 PDFMarkdown

Confused Dinner Guest by Straton the Comic Poet

The Confused Dinner Guest is a comedy by the poet Straton, a figure of Middle Comedy whose work survives only in fragments. The play’s title, which translates as “Fragment” or “Extract,” directly acknowledges its incomplete state of preservation. Based on the surviving text, the plot appears to centre on a comic misunderstanding at a symposium, a typical setting for comedies of this period. The fragment depicts a host bewildered by his guest’s use of obscure, elevated language; the guest inquires about the number of “mortals” invited, asks whether the host is sacrificing a “broad-browed ox” or “sheep,” and employs other poetic or riddling terms that the plainspoken host fails to comprehend. This generates a comedy of manners built on social awkwardness and the clash between intellectual pretension and conventional hospitality. The work is entirely lost as a complete play and is known only through quotations preserved by later grammarians and authors, most notably Athenaeus and the Byzantine encyclopedia known as the Suda. As an example of Middle Comedy, Straton’s play participates in the theatrical evolution that bridged the political satire of Old Comedy and the domestic, character-driven plots of New Comedy, which would profoundly influence Roman comedy. The theme of the confused or socially inept guest, illustrated here, has remained a durable staple of comic narrative across literary traditions.

ΦΟΙΝΙΚΙΔΗΣ.
Σφίγγʼ ἄρρενʼ, οὐ μάγειρον, εἰς τὴν οἰκίαν
εἴληφʼ· ἁπλῶς γὰρ οὐδὲ ἓν μὰ τοὺς θεούς
ὅσʼ ἂν λέγῃ συνίημι. καινὰ ῥήματα
πεπορισμένος πάρεστιν· ὡς εἰσῆλθε γάρ
εὐθύς μʼ ἐπηρώτησε προσβλέψας μέγα,
«πόσους κέκληκας μέροπας ἐπὶ δεῖπνον; λέγε.»
ἐγὼ κέκληκα Μέροπας ἐπὶ δεῖπνον; χολᾷς.
τοὺς δὲ μέροπας τούτους με γιγνώσκειν δοκεῖς;
οὐδεὶς παρέσται· τοῦτο γὰρ νὴ τὸν Δία
ἔστι κατάλοιπον, Μέροπας ἐπὶ δεῖπνον καλεῖν.
«οὐδʼ ἄρα παρέσται δαιτυμὼν οὐδεὶς ὅλως;»
οὐκ οἴομαί γε Δαιτυμών. ἐλογιζόμην,
ἥξει Φιλῖνος, Μοσχίων, Νικήρατος,
ὁ δεῖνʼ, ὁ δεῖνα· κατʼ ὄνομʼ ἀνελογιζόμην·
οὐκ ἦν ἐν αὐτοῖς οὐδὲ εἷς μοι Δαιτυμών.
οὐδεὶς παρέσται, φημί. «τί λέγεις; οὐδὲ εἷς;»
σφόδρʼ ἠγανάκτησʼ, ὥσπερ ἠδικημένος,
εἰ μὴ κέκληκα Δαιτυμόνα. καινὸν πάνυ.
«οὐδʼ ἄρα θύεις ἐρυσίχθονʼ;» οὐκ ἔφην ἐγώ.
«βοῦν δʼ εὐρυμέτωπον;» οὐ θύω βοῦν, ἄθλιε.
«μῆλα θυσιάζεις ἆρα;» μὰ Δίʼ ἐγὼ μὲν οὔ,
οὐδέτερον αὐτῶν, προβάτιον δʼ. «οὐκοῦν, ἔφη,
τὰ μῆλα πρόβατα. μανθάνεις;» οὐ μανθάνω
τούτων οὐδέν, οὐδὲ βούλομαι.
ἀγροικότερός εἰμʼ, ὥσθʼ ἁπλῶς μοι διαλέγου.
«Ὅμηρον οὐκ οἶδας λέγοντα;» καὶ μάλα
ἐξῆν ὃ βούλοιτʼ, ὦ μάγειρʼ, αὐτῷ λέγειν.
ἀλλὰ τί πρὸς ἡμᾶς τοῦτο πρὸς τῆς Ἑστίας;
«κατʼ ἐκεῖνον ἤδη πρόσεχε καὶ τὰ λοιπά μοι.
Ὁμηρικὸς γάρ.» διανοεῖ μʼ ἀπολλύναι;
«οὕτω λαλεῖν εἴωθα.» μὴ τοίνυν λάλει
οὕτως παρʼ ἐμοί γʼ ὤν. «ἀλλὰ διὰ τὰς τέτταρας
δραχμὰς ἀποβάλω, φησί, τὴν προαίρεσιν;
τὰς οὐλοχύτας φέρε δεῦρο.» τοῦτο δʼ ἐστὶ τί;
«κριθαί.» τί οὖν, ἀπόπληκτε, περιπλοκὰς λέγεις;
«πηγὸς πάρεστι;» πηγός; οὐχὶ λαικάσει;
ἐρεῖς σαφέστερόν θʼ ὃ βούλει μοι λέγειν;
«ἀτάσθαλός γʼ εἶ, πρέσβυ.» φήσʼ. «ἅλας φέρε.
τοῦτʼ ἔστι πηγός. ἀλλὰ δεῖξον χέρνιβα.»
παρῆν. ἔθυεν, ἔλεγεν ἄλλα ῥήματα
τοιαῦθʼ ἃ μὰ τὴν γῆν οὐδὲ εἷς ἤκουσεν ἄν,
μίστυλλα, μοίρας, δίπτυχʼ, ὀβελούς. ὥστε με
τῶν τοῦ Φιλητᾶ λαμβάνοντα βιβλίων
σκοπεῖν ἕκαστα τί δύναται τῶν ῥημάτων·
πλὴν ἱκέτευον αὐτὸν ἤδη μεταβαλεῖν
ἀνθρωπίνως λαλεῖν τε. τὸν δʼ οὐκ ἂν ταχύ
ἔπεισεν ἡ πειθὼ μὰ τὴν γῆν οἶδʼ ὅτι.