eul_wid: fiw-aa
DOI 10.5281/zenodo.20335421 PDFMarkdown

Fragments on Demeter and Persephone by Carcinus the Younger Tragedian of Thoricus

The Fragments on Demeter and Persephone consist of thirty surviving passages from lost tragedies by the fourth-century BCE Athenian poet Carcinus the Younger of Thoricus. These excerpts, preserved not as a continuous play but as quotations in later authors, are collected in modern editions. Carcinus, who belonged to a family of tragedians and was active in the later period of Attic drama, is mentioned by both Aristophanes and Aristotle. The fragments engage with the core narrative of the Eleusinian myth, including the abduction of Persephone by Hades, the profound grief and subsequent wanderings of her mother Demeter, the establishment of the seasonal cycle, and the foundation of the Eleusinian Mysteries. They also explore the relationship between the two goddesses and the nature of the underworld. The fragments survive exclusively through indirect citation by later grammarians, lexicographers, and philosophers such as Athenaeus and Stobaeus, who referenced them for linguistic illustration or thematic exempla; no manuscript of a complete play by Carcinus exists. While his direct literary influence appears limited, these fragments serve as evidence for the continued production of tragedy in the post-classical period. Their preservation underscores how later antiquity drew on earlier poets as sources for language and moral illustration, and they provide insight into the treatment of a central Athenian religious narrative within fourth-century dramatic poetry.

ΑΕΡΟΠΗ
ΑΙΑΣ
Ὀδυσσεύς τὰ δίκαια χρὴ ποιεῖν.
Αἴας ——
ΑΛΟΠΗ
ΑΜΦΙΑΡΕΩΣ
Ἀμφιάραος ἐξ ἱεροῦ ἀνῄει· ὃ μὴ ὁρῶντα ἐλάνθανεν
ΑΧΙΛΛΕΥΣ
βαθεῖαν εἰς αὐλῶνα περίδρομον στρατοῦ
ΘΥΕΣΤΗΣ
ΜΗΔΕΙΑ
ΟΙΔΙΠΟΥΣ
ΟΡΕΣΤΗΣ
ΣΕΜΕΛΗ
Ὦ νύκτες
ὦ Ζεῦ, τί χρὴ γυναῖκας ἐξειπεῖν κακόν;
ἀρκοῦν ἂν εἴη, κἂν γυναῖκʼ εἴπῃς μόνον
ΤΥΡΩ
ἀσκεῖν μὲν ἀρετήν, εὐτυχεῖν δʼ αἰτεῖν θεούς·
ἔχων γὰρ ἄμφω ταῦτα μακάριός θʼ ἅμα
κεκλημένος ζῆν κἀγαθὸς δυνήσεται
λέγουσι Δήμητρός ποτʼ ἄρρητον κόρην
Πλούτωνα κρυφίοις ἁρπάσαι βουλεύμασιν
δῦναί τε γαίας εἰς μελαμφαεῖς μυχούς·
πόθῳ δὲ μητέρʼ ἠφανισμένης κόρης
μαστῆρʼ ἐπελθεῖν πᾶσαν ἐν κύκλῳ χθόνα·
καὶ γῆν μὲν Αἰτναίοισι Σικελίας πάγοις
πυρὸς γέμουσαν ῥεύμασιν δυσεμβόλοις
πᾶσαν στενάξαι, πένθεσιν δὲ παρθένου
σίτων ἄμοιρον Διοτρεφὲς φθίνειν γένος,
ὅθεν θεὰς τιμῶσιν ἐς τὰ νῦν ἔτι
«ἄπιστον ἄλογον δεινόν» ...
«τί δʼ ἔστʼ ἄπιστον τῶν ἐν ἀνθρώποις κακῶν;»
ὁ Καρκίνος φήσʼ· «ἐν μιᾷ γὰρ ἡμέρᾳ
τὸν εὐτυχῆ τίθησι δυστυχῆ θεός»
οὐ κεῖνος ἐξέστησε· τὰς γὰρ ἐμφύτους
ὀρθῶς παγείσας … φρένας
οὐδεὶς ἐπαίρει καιρὸς ἐξαμαρτάνειν
πολλοῖς γὰρ ἀνθρώποισι φάρμακον κακῶν
σιγή· μάλιστα δʼ ἐστὶ σώφρονος τρόπου
χαίρω σʼ ὁρῶν φθονοῦντα, τοῦτʼ εἰδὼς ὅτι
ἓν δρᾷ μόνον δίκαιον ὧν ποιεῖ φθόνος·
λυπεῖ γὰρ αὐτὸ τὸ κτῆμα τοὺς κεκτημένους
δειλόν ἐσθʼ ὁ πλοῦτος καὶ φιλόψυχον κακόν
ὦ πολλὰ πλοῦτος δυστυχέστατος κυρῶν
ὅμως μέγιστον ζῆλον ἐν βροτοῖς ἔχει