eul_wid: cxk-aa
DOI 10.5281/zenodo.20335421 PDFMarkdown

Feast of Automatic Delicacies by Metagenes the Comic Poet

The Feast of Automatic Delicacies is a lost work of Old Comedy by the Athenian poet Metagenes, surviving only in fragments quoted by later authors. The play’s title suggests a plot centred on a fantastical, self-serving banquet, a recurring motif of comic extravagance. Of the thirty-two surviving fragments, the majority are preserved by Athenaeus in his Deipnosophistae, who cites the play primarily for its elaborate descriptions of food and dining. The fragments depict a utopian world of effortless luxury, where rivers automatically carry cooked dishes such as rolls, meats, and baked fish directly to the guests, and where pastries fly into the diners’ mouths. This automation of hospitality likely served as social satire, mocking contemporary Athenian desires for wealth and a life free from manual labour. Beyond Athenaeus, the play is also referenced by grammatical writers such as Pollux. While the fragments reveal no direct literary influence, they contribute to a broader understanding of Old Comedy’s thematic range beyond the works of major authors like Aristophanes. The play stands as an early example of a lasting literary tradition that imagines magical feasts and labour-saving devices.

ΑΥΡΑΙ
τίς ἡ Κολαινὶς Ἄρτεμις;
ἱερεὺς γὰρ ὢν τετύχηκα τῆς Κολαινίδος.
ἀλλʼ, ὦγαθέ, δειπνῶμεν πρῶτον, κἄπειτά με πάντʼ ἐπερώτα,
ἅττʼ ἂν βούλῃ· νῦν γὰρ πεινῶν δεινῶς πώς εἰμʼ ἐπιλήσμων.
ὥσπερ ἐπειδὰν δειπνῶμέν που, τότε πλεῖστα λαλοῦμεν ἅπαντες.
ὑμῖν ὀρχηστρίδας εἶπον ἑταίρας
ὡραίας πρότερον, νῦν δʼ οὐχ ὑμῖν ἀγορεύω
ἄρτι χνοαζούσας αὐλητρίδας, αἵ τε τάχιστα
ἀνδρῶν φορτηγῶν ὑπὸ γούνατα μισθοῦ ἔλυσαν.
οἰκίσκον
ΘΟΥΡΙΟΠΕΡΣΑΙ
ὁ μὲν ποταμὸς ὁ Κρᾶθις ἡμῖν καταφέρει
μάζας μεγίστας αὐτόματος μεμαγμένας,
ὁ δʼ ἕτερος ὠθεῖ κῦμα ναστῶν καὶ κρεῶν
ἑφθῶν τε βατίδων εἰλυομένων αὐτόσε.
τὰ δὲ μικρὰ ταυτὶ ποτάμιʼ ἐνμεντευθενὶ
ῥεῖ τευθίσιν ὀπταῖς καὶ φάγροις καὶ καράβοις,
ἐντευθενὶ δʼ ἀλλᾶσι καὶ περικόμμασιν,
τῃδὶ δʼ ἀφύαισι, τῇδε δʼ αὖ ταγηνίαις.
τεμάχη δʼ ἄνωθεν αὐτόματα πεπνιγμένα
εἰς τὸ στόμʼ ᾄττει, τὰ δὲ παρʼ αὐτὼ τὼ πόδε,
ἄμυλοι δὲ περινέουσιν ἡμῖν ἐν κύκλῳ.
τίς τρόπος ἵππων; ὡς δʼ ὀρχοῦνται τὸν βαρβαρικὸν τρό- πον οὗτοι.
πίνακα
συγκόψαι
ΟΜΗΡΟΣ Η ΑΣΚΗΤΑΙ
καὶ Λύκων ἐνταῦθά που
. . προδοὺς Ναύπακτον ἀργύριον λαβὼν
ἀγορᾶς ἄγαλμα ξενικὸν ἐμπορεύεται.
ΦΙΛΟΘΥΤΗΣ
δίμυξον ἢ τρίμυξον ὡς ἐμοὶ δοκεῖ.
ὦ πολῖται, δεινὰ πάσχω. Β. τίς πολίτης δʼ ἔστʼ ἔτι
πλὴν ἄρʼ εἰ Σάκας ὁ Μυσὸς καὶ τὸ Καλλίου νόθον;
κατʼ ἐπεισόδιον μεταβάλλω τὸν λόγον, ὡς ἂν
καιναῖσι παροψίσι καὶ πολλαῖς εὐωχήσω τὸ θέατρον.
λαθροφαγεῖν
ΑΔΗΛΩΝ ΔΡΑΜΑΤΩΝ
ῥαφανῖδος,
ἀμύλου, λεκίθων, καρύων, ζωμοῦ, πολφῶν, οἴνου, κολοκύντης.
δουλάρια