eul_wid: fdm-ab
DOI 10.5281/zenodo.20335421 PDFMarkdown

Symposium and Philosophical Banter by Heniochus the Comic Poet

The Symposium and Philosophical Banter is a fragmentary comedy attributed to the 4th-century BCE Athenian poet Heniochus, a representative figure of the Middle Comedy period. Its Greek title, Apospasmata, meaning "Extracts," accurately describes its surviving form: a collection of 29 fragments preserving humorous dialogue. These excerpts suggest the play was set at a symposium, a Greek drinking party that served as a frequent venue for social and philosophical satire during this era. While the plot is entirely lost, the title and genre indicate a thematic focus on the rituals and excesses of the symposium, likely involving parody of contemporary philosophical ideas and a generalized satire of manners and intellectual pretensions.

The work survives exclusively through quotations preserved by later ancient authors, most notably the grammarian Athenaeus, who cited the fragments in his Deipnosophistai for their lexical or thematic interest. These excerpts are compiled in modern editions. As with many fragmentary works of Middle Comedy, Heniochus's Symposium and Philosophical Banter provides valuable evidence for the genre's evolution away from the direct political satire of Old Comedy toward a greater interest in social types, domestic situations, and intellectual fashions. The fragments offer scholars insights into 4th-century BCE language, social history, and the comic treatment of philosophical discourse in Athenian popular culture.

ΓΟΡΓΟΝΕΣ.
Πιεῖν πιεῖν τις ἔγχει πυριγενῆ
λαβὼν βραχύωτον κυκλοτερῆ παχύστομον
κώθωνα, παῖδα φάρυγος.
ΠΟΛΥΕΥΚΤΟΣ.
Ὁ βοῦς ὁ χαλκοῦς ἦν ἂν ἑφθὸς δεκάπαλαι,
ὁ δʼ ἴσως γαλαθηνὸν τέθυκε τὸν χοῖρον λαβών.
ΠΟΛΥΠΡΑΓΜΩΝ.
Ὁρῶ δὲ θαῦμʼ ἄπιστον, ἰχθύων γένη
περὶ τὴν ἄκραν παίζοντα, κωβιούς, σπάρους,
ψήττας, ἐρυθίνους, κεστρέας, πέρκας, ὄνους,
θύννους, μελανούρους, σηπίας, αὐλωπίας,
τρίγλας, ἑλεδώνας, σκορπίους.
ΤΡΟΧΙΛΟΣ.
Πρὸς ἐμαυτὸν ἐνθυμούμενος, νὴ τοὺς θεούς,
ὅσῳ διαφέρει σῦκα καρδάμων. σὺ δὲ
Παύσωνι φῂς τὸ δεῖνα προσλελαληκέναι,
Α. καὶ πρᾶγμά γʼ ἠρώτα με δυστράπελον πάνυ
ἔχον τε πολλὰς φροντίδων διεξόδους.
Β. λέγʼ αὐτό· καὶ γὰρ οὐκ ἀγέλοιόν ἐστʼ ἴσως.
Α. ἔτνος κυάμινον διότι τὴν μὲν γαστέρα
φυσᾷ, τὸ δὲ πῦρ οὔ; Β. χάριεν οἷς γιγνώσκεται
τὸ πρᾶγμα τοῦ Παύσωνος. ὡς δʼ ἀεί ποτε
περὶ τοὺς κυάμους ἔσθʼ οὗτος ὁ σοφιστὴς τέλος.
Ἐγὼ δʼ ὄνομα τὸ μὲν καθʼ ἑκάστην αὐτίκα
λέξω, συνάπασαι δʼ εἰσὶ παντοδαπαὶ πόλεις,
αἳ νῦν ἀνοηταίνουσι πολὺν ἤδη χρόνον.
τάχʼ ἄν τις ὑποκρούσειεν ὅ τι πότʼ ἐνθάδε
νῦν εἰσὶ κἀνέροιτο· παρʼ ἐμοῦ πεύσεται.
τὸ χωρίον μὲν γὰρ τόδʼ ἐστὶ πᾶν κύκλῳ
Ὀλυμπία, τηνδὶ δὲ τὴν σκηνὴν ἐκεῖ
σκηνὴν ὁρᾶν θεωρικὴν νομίζετε.
εἶεν. τί οὖν ἐνταῦθα δρῶσιν αἱ πόλεις;
ἐλευθέριʼ ἀφίκοντο θύσουσαί ποτε,
ὅτε τῶν φόρων ἐγένοντʼ ἐλεύθεραι σχεδόν.
κἄπειτʼ ἀπʼ ἐκείνης τῆς θυσίας διέφθορεν
αὐτὰς ξενίζουσʼ ἡμέραν ἐξ ἡμέρας
ἀβουλία κατέχουσα πολὺν ἤδη χρόνον.
γυναῖκε δʼ αὐτὰς δύο ταράττετόν τινε
ἀεὶ συνοῦσαι· δημοκρατία θατέρᾳ
ὄνομʼ ἐστί, τῇ δʼ ἀριστοκρατία θατέρᾳ,
διʼ ἃς πεπαρῳνήκασιν ἤδη πολλάκις.