The Lyric Fragments constitute the extant poetic corpus of Archilochus of Paros, a seminal figure in Greek literature of the seventh century BCE. Composed in Ionic Greek, his work spans several genres, encompassing personal lyric, aggressive iambic verse, and elegy. These fragments are not a unified composition but a modern assemblage of over three hundred excerpts, preserved through citations by later ancient authors and the recovery of papyrus scraps, primarily from Egypt. They offer only partial glimpses of his original output, yet they vividly capture his distinctive poetic voice.
Archilochus deliberately departed from the heroic conventions of epic poetry. His verses, likely intended for performance at symposia, present a cynical and pragmatic worldview, often from the perspective of a soldier. His themes include war, survival, love, and social conflict, treated with a striking candor exemplified in his famous admission of discarding his shield in battle to preserve his own life. This act is widely read as a conscious rejection of aristocratic martial values in favour of personal resilience and adaptability. His sharp, intensely personal style established the iambic tradition of invective and satire, profoundly influencing subsequent Greek and Roman poets.
πάμπαν ἀποσχόμενος·
… ἶσον δὲ τολμ
εἰ δʼ ὦν ἐπείγεαι καί σε θυμὸς ἰθύει,
ἔστιν ἐν ἡμετέρου
… ἣ νῦν μέγʼ ἱμείρει
καλὴ τέρεινα παρθένος· δοκέω δέ μιν
εἶδος ἄμωμον ἔχειν·
… τὴν δὴ σὺ πένθ
τοσαῦτʼ ἐφώνει· τὴν δʼ ἐγὼ ἀνταμειβόμην·
«Ἀμφιμεδοῦς θύγατερ
… ἐσθλῆς τε καὶ περίφρονος
γυναικός, ἣν νῦν γῆ κατʼ εὐρώεσσʼ ἔχει,
τέρψιές εἰσι θεῆς
… πολλαὶ νέοισιν ἀνδράσιν
παρὲξ τὸ θεῖον χρῆμα· τῶν τις ἀρκέσει.
ταῦτα δʼ ἐπʼ ἡσυχίης
… εὖτʼ ἂν μελανθη
ἐγώ τε καὶ σὺ σὺν θεῶι βουλεύσομεν·
πείσομαι ὥς με κέλεαι·
… πολλόν μʼ ε
θριγκοῦ δʼ ἔνερθε καὶ πυλέων ὑποφ
μή τι μέγαιρε, φίλη·
… σχήσω γὰρ ἐς ποηφόρους
κήπους. τὸ δὴ νῦν γνῶθι· Νεοβούλη
ἄλλος ἀνὴρ ἐχέτω·
… αἰαῖ πέπειρα δ …
ἄνθος δʼ ἀπερρύηκε παρθενήιον
καὶ χάρις ἣ πρὶν ἐπῆν·
… κόρον γὰρ οὐκ …
ης δὲ μέτρʼ ἔφηνε μαινόλις γυνή·
ἐς κόρακας ἄπεχε·
… μὴ τοῦτʼ ἐφοῖτʼ αν
ὅπως ἐγὼ γυναῖκα τοιαύτην ἔχων
γείτοσι χάρμʼ ἔσομαι·
… πολλὸν σὲ βούλομαι πάρος·
σὺ μὲν γὰρ οὔτʼ ἄπιστος οὔτε διπλόη,
ἡ δὲ μάλʼ ὀξυτέρη,
… πολλοὺς δὲ ποιεῖται
δέδοιχʼ ὅπως μὴ τυφλὰ κἀλιτήμερα
σπουδῆι ἐπειγόμενος
… τὼς ὥσπερ ἡ κύων τέκω.»
τοσαῦτʼ ἐφώνεον· παρθένον δʼ ἐν ἄνθεσιν
τηλεθάεσσι λαβὼν
… ἔκλινα, μαλθακῆι δέ μιν
χλαίνηι καλύψας, αὐχένʼ ἀγκάληις ἔχων,
δείματι π … μένην
… τὼς ὥστε νέβρ
μαζῶν τε χερσὶν ἠπίως ἐφηψάμην
ἧιπερ ἔφηνε νέον
… ἥβης ἐπήλυσις χρόα·
ἅπαν τε σῶμα καλὸν ἀμφαφώμενος
λευκὸν ἀφῆκα μένος
… ξανθῆς ἐπιψαύων τριχός.
οὐκέθʼ ὁμῶς θάλλεις ἁπαλὸν χρόα, κάρφεται γὰρ ἤδη
ὄγμοις, κακοῦ δὲ γήραος καθαιρεῖ
… ἀφʼ ἱμερτοῦ δὲ θορὼν γλυκὺς ἵμερος προσώπου
πέπτωκεν· ἦ γὰρ πολλὰ δή σʼ ἐπῆιξεν
πνεύματα χειμερίων ἀνέμων … πολλάκις δε