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Democritus of Ephesus On the Temple at Ephesus in Greek

On the Temple at Ephesus by Democritus of Ephesus is a lost local history dedicated to the Artemision, the celebrated Temple of Artemis at Ephesus, which was counted among the Seven Wonders of the Ancient World. The work survives only in fragmentary form, with its sole extant passage preserved not in a historical manuscript but within the medical writings of Alexander of Tralles, a physician of the sixth century CE. Alexander cites Democritus as the source for a medicinal recipe that was purportedly inscribed upon a statue within the temple precinct. This citation indicates that Democritus’s monograph contained detailed descriptions of the temple’s sacred artifacts and recorded associated lore, blending antiquarian interest with practical knowledge. The fragment suggests the original work likely encompassed the temple’s topography, an inventory of its votive offerings and treasures, and the preservation of local Ephesian cult traditions and narratives. As a representative of the tradition of local historians, or horographoi, who documented the monuments and customs of individual cities, Democritus’s treatise served as an authoritative source on the Artemision in later antiquity. Its citation by a technical writer centuries after its composition underscores how such specialized local histories functioned as reservoirs of information that extended beyond mere historical narrative into areas of cultural and even practical significance.

1 (1t) ΠΕΡΙ ΤΟΥ ΕΝ ΕΦΕΣῼ ΝΑΟΥ. E LIBRO PRIORE. Athenaeus XII: Ἀπώλοντο δὲ καὶ Μάγνητες οἱ πρὸς τῷ Μαιάνδρῳ διὰ τὸ πλέον ἀνεθῆναι, ὥς φησι Καλλῖνος ἐν τοῖς ἐλεγείοις, καὶ Ἀρχίλοχος. Ἑάλωσαν γὰρ ὑπὸ Ἐφεσίων. Καὶ περὶ αὐτῶν δὲ τῶν Ἐφεσίων Δημόκριτος Ἐφέσιος ἐν τῷ προτέρῳ Περὶ τοῦ ἐν Ἐφέσῳ ναοῦ, διηγούμενος περὶ τῆς χλιδῆς αὐτῶν καὶ ὧν ἐφόρουν βαπτῶν ἱματίων, γράφει καὶ τάδε· «Τὰ δὲ τῶν Ἰώνων ἰοβαφῆ καὶ πορφυρᾶ καὶ κρόκινα ῥόμβοις ὑφαντά· αἱ δὲ κεφαλαὶ κατ’ ἴσα διειλημμέναι ζῴοις. Καὶ σαράπεις μήλινοι καὶ πορφυροῖ καὶ λευκοὶ, οἱ δὲ ἁλουργεῖς. Καὶ καλασίρεις Κορινθιουργεῖς· εἰσὶ δὲ αἱ μὲν πορφυραῖ τούτων, αἱ δὲ ἰοβαφεῖς, αἱ δὲ ὑακίνθιναι· λάβοι δ’ ἄν τις καὶ φλογίνας καὶ θαλασσοειδεῖς. Ὑπάρχουσι δὲ καὶ Περσικαὶ καλασίρεις, αἵπερ εἰσὶ κάλλισται πασῶν. Ἴδοι δ’ ἄν τις, φησὶ, καὶ τὰς καλουμένας ἀκταίας, ὅπερ ἐστὶ καὶ πολυτελέστατον ἐν τοῖς Περσικοῖς περιβλήμασιν. Ἔστι δὲ τοῦτο σπαθητὸν ἰσχύος καὶ κουφότητος χάριν· καταπέπλασται δὲ χρυσοῖς κέγχροις· οἱ δὲ κέγχροι νήματι πορφυρῷ πάντες εἰς τὴν εἴσω μοῖραν ἅμματ’ ἔχουσιν ἀνὰ μέσον.» Τούτοις πᾶσι χρῆσθαί φησι τοὺς Ἐφεσίους ἐπιδόντας εἰς τρυφήν.