eul_wid: uws-ac

Hesychius of Miletus the Illustrious History of Constantinople in Greek

The History of Constantinople is a sixth-century prose work by the Byzantine historian Hesychius of Miletus. It chronicles the story of the city from its legendary foundation by the Greek hero Byzas through to the death of Emperor Anastasius I in 518 CE. Rather than presenting a strict chronological narrative, the text functions as a compendium, blending historical accounts, foundation myths, and descriptions of notable monuments and topography. It belongs to the genre of Patria, or city histories, and was likely composed during the reign of Emperor Justinian to glorify Constantinople’s dual heritage for an educated elite, connecting its ancient Greek past to its contemporary status as the Christian capital of the Roman Empire.

The complete text of Hesychius’s history is not extant. It is known today only through excerpts and summaries preserved in later Byzantine works, most significantly the tenth-century encyclopedia known as the Suda, which quotes from it and outlines its original scope. Other fragments were incorporated into later collections such as the Patria of Constantinople, making the precise separation of Hesychius’s original contributions from subsequent additions a complex scholarly task. Despite its fragmentary survival, the work became a foundational source for later Byzantine writers on the city’s antiquities and early history.

17 contraxit Ang.: ἀλλ’ οὕτω μὲν ἡ Κωνσταντινούπολις κοσμίως ἐναπετελέσθη μετὰ δύο καὶ ἑξήκοντα καὶ τριακοσίων ἀπὸ τῆς Αὐγούστου Καίσαρος μοναρχίας ἐνιαυτῶν. Ἄξιον δὲ καὶ τὰ ταύτης τῆς βασιλίδος πάτρια προσειπεῖν ὅπως τε ἐξ ἀρχῆς αὕτη γέγονε καὶ ὑπὸ τίνων ἄνωθεν ἐπῳκίσθη ἐκ τῶν ἀρχ. ποιητῶν καὶ συγγρ. ἀναλαβόμενοι τὴν ὑπόθεσιν Post λόφον inserit Ang haec: Οὗτος οὖν ὁ Αἷμος πολεμήσειν μέλλων τὸν Βύζαντα χρησμοὺς ᾐτεῖτο παρ’ Ἀπόλλωνος καὶ τοιούτους ἐλάμβανεν· Οὔ σέ γε Φοῖβος ἄνωγεν ἀμείνονι φωτὶ μάχεσθαι, κείνου γὰρ θεὸς αὐτὸς ἑὴν ὑπερέσχεθε χεῖρα, ὃν πάσα γῆ τρομέει καὶ οὐρανὸς εὐρὺς ὕπερθεν. Καὶ ταῦτα μὲν τῷ Αἵμῳ ὁ χρησμὸς προηγόρευσεν· ἐγὼ δὲ τὴν ἄνωθεν περὶ τὸ Βυζάντιον τοῦ θεοῦ θαυμάζω πρόνοιαν, ὅπως ἀεὶ σύνηθες τῷ φιλανθρώπῳ θεῷ, διὰ τὴν πρόγνωσιν ἣν ἔχει προλαμβάνειν ἀεὶ ταῖς εὐεργεσίαις τοὺς περὶ αὐτὸν εὐσεβεῖν μέλλοντας, ὡς καὶ τοὺς χρησμοὺς εἰ καὶ ἐκ τῶν ἐναντίων, ἀλλ’ ὅμως τῷ Βυζαντίῳ λυσιτελήσειν μέλλοντας ἀναδίδοσθαι.
41 post πολίταις inserit Ang: Τούτου δὲ τοῦ κίονος τοῖς θεμελίοις τε καὶ προσβάσεσι καὶ ξύλα τίμια καὶ ἁγίων λείψανα καὶ ὅσοι τοὺς τῆς εὐλογίας ἄρτους ἔφερον κόφινοι καὶ οἱ τῶν λῃστῶν δύο σταυροὶ καὶ τὸ τοῦ ἁγίου μύρου ἀλάβαστρον πρὸς στηριγμὸν καὶ ἀσφάλειαν παρετέθησαν. εἰ δὲ καὶ τὸ Παλλάδιον, εὐτυχίας θρυλλούμενον σύμβολον, ἐκ Ῥώμης ἀνακομισθῆναι τότε ἡ σύγκλητος ἔπεισεν, ὥς φασί τινες, καὶ τοῖς θεμελίοις προστεθῆναι τοῦ κίονος, τοῦτο πάντως ἔργον ἐκείνοις ἀνδράσιν ἐστὶ πρὸς μυθώδη λῆρον εὐδαιμονίας ἐπτοη μένοις.
41bis post αὐλὴν inserit Ang: Ὁ δὲ βασιλεὺς οὐ μόνον οἴκους ἐν Κωνσταντινουπόλει περιφανεῖς κατὰ μίμησιν Ῥώμης καὶ τὸ Καπετώλιον ἔκτισεν, ἀλλὰ καὶ θείους τε καὶ ἱεροὺς ναοὺς πολυτελῶς ἀνεδείματο, τόν τε τῆς ἁγίας Εἰρή νης ναὸν καὶ τῶν σεβασμίων καὶ κορυφαίων Χριστοῦ μαθητῶν καὶ τοῦ ἁγίου Μωκίου καὶ τὸν τοῦ ἀρχαγγέλου Μιχαὴλ τοῦ ἐν τῷ Ἀνάπλῳ καὶ τοῦ ἐν τῷ Σωσθένει, ἐν ᾧ Σωκράτης διισχυρίζεται Κωνσταντῖνον πολλὰ παράδοξα σημεῖα καὶ ἰδεῖν καὶ ἀκοῦσαι.