The brief work known as Epistolary Forms is spuriously attributed to Demetrius, the author traditionally associated with the rhetorical treatise On Style. It comprises merely two short passages, which appear to function as illustrative examples of epistolary style rather than constituting a complete, independent treatise. Major sources on ancient rhetoric do not treat it as a separate work, focusing instead on the larger pseudepigraphical corpus of On Style. As its title suggests, the content likely demonstrates the application of specific rhetorical figures to letter-writing, exemplifying the plain style considered appropriate for the genre and exploring distinctions in stylistic register. The transmission of the text is obscure; it may survive as a fragment or a later excerpt incorporated into the manuscript tradition of On Style, which itself dates from the Hellenistic or early Roman period. While the direct influence of Epistolary Forms cannot be traced, its presumed concepts belong to the influential Demetrian stylistic tradition. The discussion of epistolary theory within the broader On Style corpus informed later rhetorical and literary thought, evident in the works of writers such as Philostratus and in the Byzantine tradition.
| 1 | Ἄλλ η . Μουσικόν σοι τὸ πρόσρημα, σοφώτατε. οὐ λίαν ἀπεῖναί σοι λύρα δοκεῖ. νῦν γὰρ ἡ γραφὶς μουσικὴν ἐνδείκνυται τέχνην, ᾆσμά σοι δι’ ἡμῶν μελῳδοῦσα τὸ φίλιον σπουδῇ τε τῇ πάσῃ καὶ προθυμίᾳ τῇ πρεπούσῃ πρὸς φωνὴν ἡμετέραν προ θυμουμένη παιδεύειν. καὶ γὰρ ἔννομόν τε καὶ θεῖον τοὺς προεστηκότας ὑμᾶς καὶ προστήσεσθαι μέλλοντας ἀσπάζεσθαι ταῖς προσρήσεσι. διὸ πεπληρώκαμεν τὸν νόμον καὶ προσκεκυνήκαμεν ὡς ἔδει καὶ ἀντικαλοῦμεν μεμνῆσθαι μὲν ἡμῶν παρ’ ὑμῖν, γράφειν δὲ ἡμῖν ἐνθάδε. ὑπὲρ γὰρ τῆς σωτηριώδους ὑμῶν διαμο νῆς ὁσημέραι εὐχόμενοι εὖ ἔχειν πυνθάνεσθαι ταύτην λίαν ἔχομεν ἐρωτικῶς. |
| 2 | Ἄλλ η . Συνήθως εὔφρανας, δέσποτα, τῇ τῶν γραμμάτων διαδοχῇ σωματικὴν ἡμῖν τὴν παρουσίαν ἐπιδειξάμενος καὶ τὴν ὑμῶν ἀπουσίαν τῇ παρουσίᾳ σημάνας χαίρειν πάλιν ἀνέπλησας καὶ πάλιν εὐφραίνεσθαι. τὰ γὰρ τῆς σῆς λαμπρότητος ὑγιεινὰ γράμματα εὐφροσύνης ἡμῖν αἴτια γίνεται. ἡμῖν μὲν γάρ, δέσποτα, καὶ δοκῶν ἀπεῖναι πάρει καὶ παρὼν ἐντὸς τῶν ψυχῶν ἡμῶν δικαίως ἀναγεγραμμένος ὑπάρχεις ἀνεξαλείπτοις μνήμαις τῇ τῶν γλυκέων παίδων παρουσίᾳ καὶ τῇ τῶν χρεωστουμένων σοι ἀνάγκῃ καὶ τῇ τῶν ψυχῶν ἀρετῇ. ψυχῆς γάρ ἐστι καὶ ὀφθαλμῶν τὰ γράμματα ἑορτὴ καὶ πανήγυρις. |